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Rocky Script at IMSDb. International. French scripts. Rocky . BLUE DOOR FIGHT CLUB - NIGHT. SUPERIMPOSE OVER ACTION.. The club itself resembles a large unemptied trash- can. His black. hair shines and hangs in his eyes. He grins. at his opponent and keeps grinding ahead.
They lean out of their seats and heckle the fighters. The action is even heavier in the balcony. I'm gonna bust his head. He. works on Rocky without any enthusiasm.
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Ya waltzin' - - Give the. Just gimme the water.
He is sixty- five, with. Ya want some good advice? I just want the mouthpiece. Rocky makes the sign of the cross.
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The butt opens a bleeding. Rocky's eye. Rocky slams the man on the jaw and the. The fighter on the stretcher.
Before he even reaches the rear of the club the. BELL RINGS and the next fight has already begun.. Rocky. fades into the darkness of the rear of the club. DRESSING ROOM - NIGHT. Rocky has nearly completed dressing and reaches into his. Also in the dingy room are ten other.
Two taped fighters talk shop in the corner. Tomorrow me an' my woman. Atlantic City, man. It's cold, Bro'. That's right, I got the.
Two other fighters shadowbox and. Some of the fighters. Twenty bucks for the. Two. bucks for the towel an'.
The. house owes ya, sixty- one. Rocky closes his. TROLLEY - NIGHT. Rocky is on the trolley heading to South Philly.. The. trolley is empty except for a thin old black WOMAN..
The. black Woman studies Rocky's bruised face.. Rocky becomes. self- conscious. Yo' iz an accident. STREET - NIGHT. Rocky exits the trolley and walks down the block.. He waves. at a pair of high- heeled hookers and they wave back.
He peers into the dark store and. ROCKY'S APARTMENT - NIGHT. A short while later, Rocky approaches his apartment located. South Philly. ROCKY'S HALLWAY - NIGHT. The narrow hallway is painted olive brown.
ROCKY'S APARTMENT - NIGHT. Rocky enters. He lifts the. As the CRACKLING MUSIC BEGINS, Rocky picks up his. He then switches into a.
SUNRISE OF PHILADELPHIA SKYLINE - DAWN. We SEE the jagged skyline, highlighted by the towering.
William Penn that rises above the dawn haze as it. City Hall.. DOCKS - EARLY MORNING. Rocky is walking along the waterfront.. He has a bandaid.
He stuffs his hands in his cheap wool. Give ya boss. my best. He nears a heavy man working.
He stops the. crane and hurries into the ship's hole. SHIP - DAY. The man enters the ship's hole and runs past tons of stacked.
He lunges and flings the man by. Gazzo wants the two. Gazzo says I should get.
The juice is climbin'. Rocky suddenly grabs the. STREET - DAY. Later that morning Rocky passes . The shop is not very prosperous looking.
Rocky stops at this shop every morning. Rocky enters. PET SHOP - DAY. Could you take the puppy. It can breathe. She nervously exits. How's the turtle food this.
Though charmed, she is slightly intimidated. I don't know. TRAIN TRESTLE - DAY. Gazzo picks up Rocky. GAZZO'S CAR - MOVING - DAY. MR. GAZZO and his YOUNG BODY GUARD sit in the front seat..
Of the truck that run over. The Rock's a good kid. GYM - DAY. Gazzo drives off and Rocky strolls across the street to. Goldmill's Gym. Out front is a young Irishman. His name is RUDY.
He is blind. and mentally defective. GYM - DAY. Mickey's Gym is surrounded by bars and a couple of greasy.
The place is nearly full. The music adds a background to the CLANG of. AUTOMATIC TIMERS, SNORTING SPARRING PARTNERS and the. THUDDING of HEAVY BAGS. DRESSING ROOM - DAY. The dressing room is lined with dented lockers. Rocky is flustered and sits on a bench to ponder the.
These ain't my clothes. These ain't my pictures. Mike leans his head. The fighters curse them.
Spanish. GYM - DAY. Rocky and Mike move past fighters going through their. GYM - DAY. The Owner, MICKEY, sits on a stool near the entrance. He is in his late seventies. Mickey is conversing with another fighter. Dipper is a. young, muscular heavyweight with a mean expression.
That was my locker. Did ya fight last night?
Who'd ya fight? Dipper spits a mouthful of. Rocky. I dig yo' locker, Man. Scene FADES on. Rocky's crestfallen expression. PET SHOP - DUSK. At sunset Rocky comes down the street and pauses at the pet.
He is eating Colonel Sanders' fried chicken out of a. He taps on the window with a chicken bone. PET SHOP - DUSK. Inside Adrian is arranging pet toys on the counter..
She. hears the tapping, sees Rocky, and tenses. Wow - - cold! Oh, yeah, would. Rocky understands.
Goodnight, Rocky. ANDY'S BAR - NIGHT. A short while later Rocky arrives at Andy's Bar.. He throws. the Colonel Sanders bag and bones in a large public litter. ANDY'S BAR - NIGHT. Rocky enters the bar.
Rocky seems to be looking for someone. ANDY'S RESTROOM - NIGHT. Rocky enters the restroom.. It is a vile stench hole with. Paulie is in his. A classic. misanthrope. Adrian ain't sharp.
Rocky covers his nose. ANDY'S BAR - NIGHT. The restroom door opens.
Rocky steps. to the bar. Stay in school an' use. Be a. lawyer, be a doctor, carry a. The Commentator. faces the camera.
Andy has been speaking. Apollo's broadcast. Sure - - Nuttin' like. Andy turns to his customers.
ATOMIC HOAGIE SHOP - NIGHT. Rocky passes an all- night sandwich shop.. In the window. hangs the sign . A boy with a badly- chipped tooth beckons to. Rocky. No wine - - Bad for ya'.
That's an old one. Screw you, yoyo. They quickly move off.
STREET - NIGHT. Rocky is walking the young girl home.. They are presently. Rocky nonchalantly. See, they. don't remember you, they. Standing in the. shadows of the building are three young muggers.
Rocky sees them and stops and faces the. That's your house, ain't it? Fuck you, Creepo!!! Yeah, who're you to give. Creepo. JERGENS' OFFICE - DAY.
APOLLO CREED and his LAWYER and TRAINER are seated in the. MILES JERGENS. I don't. I do - - Maybe what this fight. It's very American. STREET - DAY. Late that afternoon Mr.
Gazzo's white 1. 97. Cadillac pulls up. Rocky's apartment.. Rocky is in the back seat with the. Gazzo motions to his Bodyguard to. Gazzo is amused. JERGENS' OFFICE - DAY. The SCENE REVERTS BACK TO Miles Jergens' office.
I don't feel heat from the. Still don't feel no heat. STREET - DUSK. Rocky and Paulie walk towards his house..
Even though it is. Tell. him I ain't bothered by. Bustin' bones. don't bother me - - Tell him.
I'm a good worker. ATOMIC HOAGIE SHOP - DUSK. They continue past the Atomic Hoagie Shoppe, Inc..
A group. of young men pitch quarters on the sidewalk out front. He sees Marie, the little girl from the. The gang smiles and continues to pitch. Filling the night. METALLIC SOUND of pitching QUARTERS.
PAULIE'S APARTMENT - NIGHT. The men arrive at Paulie's home. PAULIE'S APARTMENT - NIGHT. Paulie unlocks the apartment door and enters.. Rocky. stiffly follows.
The TV is on. She is visibly unsettled. Rocky's unexpected presence. Paulie. follows. Unfortunate luck for. Mac. Lee Green. By the way. Super. Bowl, folks..
Paulie, why didn't you. He enters the kitchen. With the turkey suspended on the end of the fork.
Paulie heaves the dripping bird out the window. Ya want the bird, go out in. I want ya outta the house - -. Enjoy ya friggin' life.. Ya. hungry, Rock?
Yo, Adrian, it's me. Rocky.. Ah, ah - - Ah, it's.
Cause I never talked to a. I mean whatta ya. Maybe I better forget it. Would. ya like, I dunno, go out. She already has her winter coat on. ICE SKATING RINK - NIGHT. Rocky and Adrian enter a deserted skating rink.
Yo, we're. closed! Ten minutes. Yeah, give 'er the Blades. ICE SKATING RINK - NIGHT. Adrian has on skates.
Aren't you skating? I still. fight. But I guess in. The Cleaner moves. How 'bout for the Cokes? STREET - NIGHT. Some people are very shy by.
Y'know, I think. we make a real sharp coupla. I'm dumb an'. you're shy. It is just hard for me to. It's a. racket where ya' almost. I'm at least half a bum. Ya' eyes. hurt, ya' ears hurt, ya' hair.
But the thing. I'm proud of is I been in over. Bent an'. twisted an' bitten but never. Update Value In Hashtable Java. That's rare. ROCKY'S APARTMENT - NIGHT. Rocky and Adrian enter his one- room apartment.. She is. nervous and taken aback by the bleakness of the room..
Rocky steps up behind her and his face is. He reaches into the. Oh, yeah, I bought the. Yeah, ya sold me. I had to get rid.