Bring Me The Horizon Free Download Album Songs
Bring Me The Horizon - .
Nightlight Daylight . It started as a gift for my best friend’s first baby, and turned into one CD to awaken to, one to go to sleep to, with the first- ever interactive lighted CD cover. I had so much fun recording these tunes with my friends, including Mark Kibble (Take 6), Victor Wooten, Phil Keaggy, Stanley Jordan, Earl Klugh, Howard Levy, Tommy Emmanuel, Jeff Coffin, Futureman, Danny Gottlieb, and members of the Nashville Symphony. Two big thumbs up!–ACADEMICS CHOICE. CD OF THE YEAR AWARD (Creative Child)After I finished pushing the moon for about half an hour I delved into the treasures within.
BONUS TRACK Free, w. Phil Keaggy What World Needs Now is Love. ORDER HERE The unique double CD “Nightlight Daylight” SHEET MUSIC/TAB Guitarists: Learn the tunes.
- Bring Me the Horizon performing in 2016. From left to right: Lee Malia, Jordan Fish, Oliver Sykes, Matt Kean (behind), Matt Nicholls, John Jones.
- Our take on the 'OKNOTOK 1997 2017' reissue that pairs the original album with B-sides and three never-released songs Ranked on a scale from 1 to 10, the trending.
The quality is amazing across the board. I cannot express how much the performances and production quality resonates. ENDORSEMENTPress Reviews. A double cd containing her biggest and boldest statements yet.
Simply brilliant. I frequently listen to it as I travel, and find it remarkably peaceful and relaxing, and not much makes me feel that way on airplanes anymore.
My grandsons, ages 5 months and 8 months, were both introduced to Daylight Nightlight this afternoon, and to describe them as “blissed out” would be an understatement. Both went from a bit agitated to supremely content moments after I put it on. I love the listenability, the rhythms, the harmonies, and of course the flawless musicianship. I would heartily recommend it to anyone, but particularly those with infants and young children. I really do believe it will make a difference in their development. Zing. Add Your Review.
The Players. Mark Kibble (Take 6) co- producer/vocals; Victor Wooten, bass; Danny Gottlieb, drums; Beth Gottlieb, percussion; Phil Keaggy, steel string & electric guitar, Stanley Jordan, electric guitar; Earl Klugh, guitar; Howard Levy, harmonica; Roy (Futureman) Wooten, electric drums; Tommy Emmanuel, guitar; Raughi Ebert and Leo Henrichs (Tierra Negra), flamenco guitars; Beth Nielsen Chapman, harmony vocal; Jack Pearson, mandolin; Jeff Coffin, soprano sax; Tom Shinness, cello; Karlton Taylor, piano, Adam Wooten, drums; Mary Gilmore, harmony vocal; Cathy Chalmers, African drum and udu; First. String, Endless Road Strings, Lovesponge, and Carl Marsh, orchestrator. What the Musicians Say. This is some seriously powerful, deeply emotional music that will stay in your head and your heart forever. Muriel plays all styles with such ease and command that it’s easy to forget how good she really is! I love these recordings and I am honored to be asked to be a part of such a stellar project! Now let me run and play!
In a time when there is much chaos and distraction in our world, she brings her gifted friends together along side to bring light and joy to the world through song. Her efforts in doing so shows that we all long to be one in humanity- which is being loving, caring and giving through the gifts we are given. I was so in love with this piece of music. The CDs both of my children received from Muriel as their individual welcoming presents right after they were born were the early prototypes for “Nightlight Daylight” Muriel’s music has always been a part of our ideal and music we enjoy as well. At the age of nearly 2 years Louise was able to sing the melody of nearly 7.
Leon crawled in front of the stereo system while making dance movements to tell us that it was time to put his Muriel “Good Morning” CD on. This awesome new CD for morning and evening allows us to use our percussion to full dynamic potential.
We are thrilled to be included in this amazing project! I find surprises at every corner. I think it’s an awesome recording and I’m honored to be a small part of it! Prepare to be transported thru a journey of the joys of night and day ! FERRYBOAT CROSSING 4: 0. Muriel Anderson, . I composed a tune to capture the mood and played it to the gentle tugging of the ferryboat.
Phil Keaggy joins on electric guitar, and Mark Kibble on vocals. NIGHT LIGHTS 4: 2. Muriel Anderson, . They play the melody and beautiful improvisation. LULLABY FOR LEO 4: 3.
This one was written for the father of the baby. THE LOOKING GLASS 3: 3. Members of the Nashville Chamber Orchestra fill out the string section, and Mark Kibble layers twelve vocal parts to create the impressive harmonies. PRAYER WITHOUT CEASING 4: 1. Install A Dll In Gacy.
I call it “Prayer Without Ceasing.” I remember after being in the Northridge earthquake, I was so genuinely thankful for life and for my friends around me that for about a year after, I knew what it was like to pray without ceasing. I brought it to Phil Keaggy and we improvised on it together.
Later, Carl Marsh orchestrated our improvisation for Leadership Music Nashville at Oceanway studio. We told the First. String musicians the story behind the music, they put their hearts into it and played what you hear here. DANDELIONS 3: 1. 4 (Muriel Anderson, . We went on a quest to look for just the right dandelions for the Daylight side of the cover. I remembered when I was a child, before I was told that dandelions were a weed, and I thought they were a precious yellow flower that came up right in the yard! On the first of May, I made a little paper basket with glue and masking tape, and filled it with dandelions.
There was an old lady who lived alone on our street, so I left it at her front step, knocked on the door and ran away so she wouldn’t know what secret admirer brought her the flowers. I did that every year, and each year the paper baskets got a little nicer.
I wonder if she had a little collection of faded paper baskets on her mantle and if that one day of the year dandelions aren’t a weed for her either. See a video of me playing this tune for a fawn standing on one leg. IT TAKES A LITTLE TIME 2: 5.
Muriel Anderson/Lisa Aschmann, . It reminded me of a child just learning to walk. In the lyrics, I put a little pause before “it takes a little.
FAINT OF HEART 4: 0. Vince Gill/Al Anderson) . It’s a beautiful tune, and I could think of no better set of changes to let Stanley Jordan and Earl Klugh play over as an instrumental. Mark Kibble and I also recorded a vocal version that we plan to make available as a download. THE WINTER SHORES 1: 5.
Muriel Anderson, . HAWAIIAN LULLABY 4: 0. Muriel Anderson, . Lyrics by Queen Lili’uokalani. Additional melody and chorus by Makana, ASCAP/BMI). With Victor Wooten, bass; Muriel Anderson and Mark Kibble, vocals. I was invited as a guest to the slack key and ukulele festival in Hawaii.
I had no idea how much I would fall in love with beautiful culture of these islands, really experiencing the welcome, the joy and peace of Hawaiian aloha. I wrote Hawaiian Lullaby as an instrumental. Just before going on stage together at a festival in Seattle, Makana found an ancient poem written by Queen Lili’uokalani that fit the feel of the music, and he spontaneously sang a melody over the top while the traditional choir, Hi’ikua, improvised the chorus. Mark Kibble and I sing their parts in this recording, and offer to you the same aloha. He `ala nei e m. WAIT FOR THE LIGHT 3: 2. Muriel Anderson, . Sometimes it’s better just to relax and wait for the light.
PRELUDE TO JOY 3: 0. Muriel Anderson/Ludwig Van Beethoven, (. In the process, I found a quick interlude played by the horns just before the chorus comes in with “Joyful joyful.” I slowed it down, changed it to . Yet, I only changed one note of the harmonies, and the melody belongs to my prestigious co- writer, Beethoven. SWEET CHILD 3: 0.
Muriel Anderson, . I found the 2. 1- string harp guitar with the high treble strings was a good instrument to capture the feeling, and recorded this in the two days while composing it. THE SIGHT 3: 3. 0 (. Muriel Anderson, guitar/harp guitar/lead vocal. Some years ago I was gently stretching in the steam room of the local gym, when I found myself slipping into a pleasant meditation.
I sat down without expectation and in a moment I could remember all my dreams with the same clarity I remember my waking life. It was no more nor less real than waking life, but the colors were more brilliant and it was not limited by gravity nor consequence.